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Chanel Spring 2024 Couture Collection Review

  • joannelee323
  • 2024๋…„ 3์›” 4์ผ
  • 2๋ถ„ ๋ถ„๋Ÿ‰

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๋ฒ„์ง€๋‹ˆ ๋น„์•„๋ฅด(@VirginieViard)๊ฐ€ @Chanel ๋ด„์‹œ์ฆŒ ์˜ค๋œจ ๊พธ๋›ฐ๋ฅด ์‡ผ๋ฅผ ์„ ๋ณด์˜€๋‹ค. ์ด๋ฒˆ ์ปฌ๋ ‰์…˜์€ ๊ฐ€๋ฒผ์›€, ์•„๋ฆ„๋‹ค์›€, ๊ทธ๋ฆฌ๊ณ  ์†Œ๋…€๋‹ค์šด ๊ฒฝ์พŒํ•จ์„ ํ‘œํ˜„ํ•˜์˜€๋Š”๋ฐ, ๋ฐœ๋ ˆ์—์„œ ์˜๊ฐ์„ ๋ฐ›์•˜๋‹ค. (๋ฐœ๋ ˆ ์ฝ”์–ด๋Š” ์ž‘๋…„์— ํฐ ์œ ํ–‰์ด์—ˆ๋‹ค).


์šฐ์„ , ์ด๋ฒˆ ์ปฌ๋ ‰์…˜์€ ๋Š” ์‰ฌํฐ ํ”ผ์—๋กœ ๋Ÿฌํ”„, ํฌ๋ฆผ์ƒ‰ ํŠธ์œ„๋“œ ์žฌํ‚ท, ๊ทธ๋ฆฌ๊ณ  ๋‘๊บผ์šด ํ•˜์–€ ํƒ€์ด์ฆˆ๋กœ ์‹œ์ž‘ํ•˜์—ฌ ๊ฐ€๋ธŒ๋ฆฌ์—˜ ์ƒค๋„ฌ์—๊ฒŒ ๊ฒฝ์˜๋ฅผ ํ‘œํ•˜๋ฉฐ ์‹œ์ž‘๋˜์—ˆ๋‹ค.


์—ญ์‚ฌ์ ์œผ๋กœ, ๋ฉ”์ข… ์ƒค๋„ฌ์€ ๊ฐ€๋ธŒ๋ฆฌ์—˜ ์ƒค๋„ฌ๊ณผ ์นผ ๋ผ๊ฑฐํŽ ํŠธ ๋ชจ๋‘ ๋ฐœ๋ ˆ์—์„œ ์˜๊ฐ์„ ๋ฐ›์•„์™”๋‹ค.


์ƒค๋„ฌ์€ ์‹ค์ œ๋กœ ๋ฐœ๋ ˆ ์ฝ”์–ด์˜ ์„ ๊ตฌ์ž๋กœ, 1920๋…„๋Œ€๋กœ ๊ฑฐ์Šฌ๋Ÿฌ ์˜ฌ๋ผ๊ฐ„๋‹ค.


๊ฐ€๋ธŒ๋ฆฌ์—˜ ์ƒค๋„ฌ์€ ์ข…์ข… ๋ฐœ๋ ˆ์˜ ๋ฏธํ•™๊ณผ ์ •์‹ ์„ ๋ฐ˜์˜ํ–ˆ๋‹ค. ๊ทธ๋…€๋Š” ์›€์ง์ž„์˜ ์ž์œ ์— ์ค‘์ ์„ ๋‘์—ˆ์œผ๋ฉฐ, ๋ฐœ๋ ˆ์™€ ๋ธŒ๋žœ๋“œ ์ฝ”์–ด๊ฐ€ ๋šœ๋ ทํ•œ ์—ฐ๊ด€์„ฑ์„ ๊ฐ–๊ณ ์žˆ๋Š”๋ฐ, ํŠนํžˆ ๋ฐœ๋ ˆ๋‹จ โ€˜๋คผ์Šคโ€™์™€์˜ ํ˜‘์—…์„ ํ†ตํ•ด ๋‘๋“œ๋Ÿฌ์กŒ๋‹ค. 1920๋…„๋Œ€ ๊ทธ๋“ค์˜ ๋ฐœ๋ ˆ๋ณต์„ ์—ฌ๋Ÿฌ ์ฐจ๋ก€ ์ œ์ž‘ํ–ˆ์œผ๋ฉฐ, ํŠนํžˆ 1924๋…„์— ์œ ๋ช…ํ•œ โ€๋ฅด ํŠธ๋žญ ๋ธ”๋ฃจโ€๋ฅผ ํฌํ•จํ•œ๋‹ค. ์ด๊ฒƒ์€ ์ƒค๋„ฌ์˜ ์ƒ์ง•์ ์ธ ๋ฐœ๋ ˆ ํ”Œ๋žซ์ด 1957๋…„์— ์ฒ˜์Œ ๋งŒ๋“ค์–ด์ง„ ๊ฒƒ์— ์˜ํ–ฅ์„ ๋ฏธ์ณค๋‹ค.


๋”๋ถˆ์–ด,์นผ ๋ผ๊ฑฐํŽ ๋“œ์˜ ์ž‘ํ’ˆ ๋˜ํ•œ ๋•Œ๋•Œ๋กœ ๋ฐœ๋ ˆ ์˜์ƒ์„ ์—ฐ์ƒ์‹œํ‚ค๋Š” ์š”์†Œ๋ฅผ ํŠน์ง•์œผ๋กœ ํ•˜์—ฌ, ๋ฐœ๋ ˆ์˜ ์šฐ์•„ํ•จ๊ณผ ํ’ˆ๊ฒฉ์„ ๋ฐ˜์˜ํ–ˆ๋‹ค.



Virginie Viard presented the Chanel spring haute couture show, embodying lightness, prettiness, and girly frivolity. The show was inspired by ballet, (ballet core was such a big trend last year). First of all,


The show started with a chiffon Pierrot ruff, a cream tweed jacket, and thick white tights, paying homage to Gabrielle Chanel.


Maison Chanel has a history of incorporating ballet inspiration for both Gabrielle Chanel and Karl Lagerfeld. Chanel is actually the pioneer of ballet core and it goes way back to 1920s.


Gabrielle Chanel often mirrored the aesthetics and spirit of ballet. Her emphasis on freedom of movement, had a significant relationship with ballet, most notably through her collaboration with the Ballets Russes. In the 1920s, she designed costumes for several of their productions, including the famous โ€œLe Train Bleuโ€. in 1924. Which influenced Chanelโ€˜s iconic ballet flats were first created in 1957.


Karlโ€™s work occasionally featured elements reminiscent of ballet costumes, reflecting the elegance and grace of the dance form.

๋Œ“๊ธ€


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